Casino Royale Ebert
Casino Royale Review
At one time or another, 'Casino Royale' undoubtedly had a shooting schedule, a script and a plot. If any one of the three ever turns up, it might be the making of a good movie. In the meantime, the present version is a definitive example of what can happen when everybody working on a film goes simultaneously berserk. Roger Ebert publishes the list of his most hated films, distilled down from reviews he has written which date back to the 1960s. The list includes 2005 releases such as Constantine, Deuce Bigalow: European Gigolo, and A Lot like Love. October 14: It is announced that Daniel Craig will be the new James Bond in the forthcoming Casino Royale.
Yes, Daniel Craig makes a superb Bond: Leaner, more taciturn, less sex-obsessed, able to be hurt in body and soul, not giving a damn if his martini is shaken or stirred. That doesn't make him the 'best' Bond, because I've long since given up playing that pointless ranking game; Sean Connery was first to plant the flag, and that's that. But Daniel Craig is bloody damned great as Bond, in a movie that creates a new reality for the character.
Rotten Tomatoes Casino Royale
Quantum of Solace is the twenty-second film in the James Bond series produced by EON Productions. The sequel's storyline was created by producer Michael G. Wilson while 2006's Casino Royale was shooting. Paul Haggis, Neal Purvis and Robert Wade returned as writers. The film was directed by Marc Forster, and features Daniel Craig in his second performance as James Bond. The film released on. When Roger Ebert hated a film, he didn't mince words. Here are 50 movies the Pulitzer Prize-winning writer absolutely loathed (including a couple of surprises that you might very well love), along. The one where it all began — again. Casino Royale is the twenty-first film in Eon Productions' James Bond film franchise, the third Live-Action Adaptation of the very first James Bond novel, Ian Fleming's Casino Royale, and the second film to be directed by Martin Campbell in the series, introducing Daniel Craig as James Bond. It came out on November 16, 2006.
Year after year, attending the new Bond was like observing a ritual. There was the opening stunt sequence that served little purpose, except to lead into the titles; the title song; Miss Moneypenny; M with an assignment of great urgency to the Crown; Q with some new gadgets; an archvillain; a series of babes, some treacherous, some doomed, all frequently in stages of undress; the villain's master-plan; Bond's certain death, and a lot of chases. It could be terrific, it could be routine, but you always knew about where you were in the formula.
With 'Casino Royale,' we get to the obligatory concluding lovey-dovey on the tropical sands, and then the movie pulls a screeching U-turn and starts up again with the most sensational scene I have ever seen set in Venice, or most other places. It's a movie that keeps on giving.
This time, no Moneypenny, no Q and Judi Dench is unleashed as M, given a larger role, and allowed to seem hard-eyed and disapproving to the reckless Bond. This time, no dream of world domination, but just a bleeding-eyed rat who channels money to terrorists. This time a poker game that is interrupted by the weirdest trip to the parking lot I've ever seen. This time, no laser beam inching up on Bond's netherlands, but a nasty knotted rope actually whacking his hopes of heirs.
And this time, no Monte Carlo, but Montenegro, a fictional casino resort, where Bond checks into the 'Hotel Splendid,' which is in fact, yes, the very same Grand Hotel Pupp in Karlovy Vary where Queen Latifah had her culinary vacation in 'Last Holiday.' That gives me another opportunity to display my expertise on the Czech Republic by informing you that 'Pupp' is pronounced 'poop,' so no wonder it's the Splendid.
Casino Royale Roger Ebert
I never thought I would see a Bond movie where I cared, actually cared, about the people. But I care about Bond, and about Vesper Lynd (Eva Green), even though I know that (here it comes) a Martini Vesper is shaken, not stirred. Vesper Lynd, however, is definitely stirring, as she was in Bertolucci's wonderful 'The Dreamers.' Sometimes shaken, too. Vesper and James have a shower scene that answers, at last, why nobody in a Bond movie ever seems to have any real emotions.